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Golden

Arch Design Award 

Winner

in

Interior Design Category

'26

Mengtai Group Hard Technology Pavilion

Designed by

Juji Culture (Beijing) Co., Ltd.

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Mengtai Group Hard Technology Pavilion

Cultural Architecture

Ordos City, Inner Mongolia Autonomous Region, China

Juji Culture (Beijing) Co., Ltd.

Yibin Yang, Wei Chen, Yi Liu, Yizhen Guo, Minghui Chai, Xinxin Li ,Chenxia Wang , Paipai Jiang

Photo Credits:

Yunfeng Shi,2025

Copyrights:

Juji Culture (Beijing) Co., Ltd.,2025

Situated in the expansive landscapes of Ordos, Inner Mongolia, the Mengtai Group Hard Technology Pavilion presents a fresh spatial narrative that includes a new corporate showroom, upgraded public artworks, and a series of outdoor sculptural installations. The design fuses Mengtai Group’s commitment to technological innovation with the meticulousness of industrial production and the creativity of art, giving rise to a distinctive space that transcends conventional exhibition formats while resisting the tropes of science fiction. The design seeks to inspire a comprehensive and profound exploration of the origins of science, its spirit, belief system, dreams, ways of understanding, methodologies, perspectives, wisdom, philosophy, and its enduring mission. Through this, it aims to convey the warmth and infinite possibilities of technology, while emphasizing a deep reverence for science.

Departing from the standard formula of corporate pavilions, poster boards + models + screens, the Mengtai Group Hard Technology Pavilion reimagines exhibition storytelling with a bold deconstruction of form. All content is distilled into the main lobby of the Technology Building, where a new narrative unfolds: from the present to the past, into the future, and ultimately back to the now—offering a cyclical, immersive journey through time and innovation. The design translates the philosophy—“While science fiction writers build worldviews with words, designers should trigger cognitive revolutions through space,” and “If writers strike with dimensional reduction, then designers must elevate thought through spatial dimensions”—into concrete practice. Applying topological thinking to reconstruct the company’s history, the project embeds the concept of the Klein bottle’s cyclicality within the CAVE theater. The solution maximally embodies Mengtai Group’s core philosophy: “To make finite resources infinite, and to make infinite undertakings green.”

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